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Eclectic wall art

A gallery wall that mixes on purpose: a Japanese woodblock wave, a Van Gogh, a Redouté flower, a 1920s ski poster, an Egyptian tomb painting, a highland cow and a quiet abstract. Different centuries and styles, chosen to hang together.

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12 of 12 pieces

How to choose eclectic wall art

Our eclectic wall art brings very different pieces together. A new print of Hokusai's The Great Wave off Kanagawa sits beside Van Gogh's Irises, Pierre Joseph Redouté's botanical Crown Imperial and Nina de Garis Davies's copy of the Egyptian tomb scene Menna Hunting in the Marshes. Our studio's modern pieces add quieter color, so these eclectic art prints span centuries and styles while still sharing enough color to hang as a group.

An eclectic gallery wall suits a living room, a stairway, a hallway or a dining room with open wall space. Pick one anchor piece, such as a 32x48 of Thomas Cole's The Oxbow, and build around it with smaller sizes like 16x20 and 20x20. Keep the whole arrangement about two-thirds the width of the sofa or console below. Repeat one element to tie it together: a shared color, one frame finish or equal gaps. Classic frames suit a traditional mix, gold adds warmth, and float frames or acrylic lean modern.

Questions about eclectic wall art

How do I make mixed gallery wall art look intentional?

Choose a common thread, such as the blues shared by The Great Wave and Van Gogh's Irises, or one frame finish across every piece. Lay everything out on the floor first, place the largest piece slightly off-center, and keep the gaps between pieces equal, around 2 to 3 inches.

What is the Egyptian piece?

Menna Hunting in the Marshes is Nina de Garis Davies's 1924 copy of a wall painting from the tomb of Menna, an Egyptian official, dating to around 1396 to 1347 BCE. Ours is a new print of that public-domain copy, with its marsh scene in soft ochers, greens and blues.

Can I mix canvas and framed pieces?

Yes, and it can add depth. One approach is to frame the older works, such as Redouté's Crown Imperial in a classic frame, and leave modern pieces on stretched canvas. Keep at least one repeated element, like the frame finish or equal spacing, so the wall still reads as one group.

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