Every size drawn to scale on one wall, above the sofa in a photographed room. Sizes are the canvas; a frame adds a little on every side. Not drawn, so the labels stay readable: 40″ × 20″ — it sits between the sizes shown, and it is in the size picker.
Print proof — This is the exact file our printer receives for this size, so what you see here is what gets printed, edge to edge. Use it to see how much margin a size leaves and, before you buy a large size, to check the sharpness in the 100% close-up.
edge of the print
The file
Actual pixels at this size
Colors on a screen can look slightly different from ink on canvas. This file goes to the printer automatically when you order, and your piece ships straight from the print studio to you.
Living room 1 / 9
Wall color
Rooms to scale: each was measured against a 5 ft 6 in figure, so the print is drawn at its true size against the furniture. Rooms and people are generated images. Swipe the room, tap a dot, or press Next room to see the print in another room. Drag the print to try another spot (or move it with the arrow keys); switch sizes above to compare.
Step 1 — set the scale. Drag the slider until the gold bar on the photo is the height of a standard doorway (80 in / 203 cm). Every size you pick is then drawn true to life.
Step 2 — drag the print to where it would hang, and change size or frame above to compare.
Source scan:Cleveland Museum of Art, 2025.17 (Open Access, CC0) Rights statement of the archive: “Public domain. Peter Henry Emerson (died 1936); the museum dates this work before 1891, published 1895. The Cleveland Museum of Art releases its photograph of it under Creative Commons Zero (CC0 1.0). Accession number 2025.17.” Original print: Peter Henry Emerson, before 1891, published 1895, photogravure. Verified 2026-10-16.
This product is a new print made to order from a restored scan of that print. It is not an original antique and is not sold as one.
A Winter's Sunrise
The story of this print
A frosty field of marsh grass runs across the bottom of the picture. On the left a rough wooden fence and gate stand among the reeds, a few bare saplings rise from the mist, and two horses graze in the gray distance on the right. The winter sun is a pale disc low in the sky.
Peter Henry Emerson (1856–1936) photographed the Norfolk marshes of eastern England for more than a decade. Marsh Leaves, published in 1895, was his last book, and the museum describes its style as so loose and graphic that it verges on abstraction. Here the mist does most of the drawing.
The long 2:1 shape suits the wall above a sofa, a bed or a sideboard.
What we did to this scan
Cropped by hand to the edge of the printed sheet.
Balanced the levels and took out the scanner’s color cast, keeping 50% of the paper’s age tone.
Toned to neutral black and white, taking out the brown of the old paper or albumen print.
Cleaned dust and specks picked up by the scanner.
A light sharpen, so fine lines and lettering hold at large sizes.
About this particular sheet. Made from the Cleveland Museum of Art's scan of the photogravure. Cropped evenly to a long 2:1 canvas. The print's warm tone was taken out, so it prints as a neutral black and white.
Every print is credited to its archive here and in your order confirmation. Paper tone and small imperfections of the original are kept on purpose; nothing is redrawn. How we restore.
Questions
What does it show?
Frosted marsh grass in the foreground, a broken wooden fence on the left, two horses grazing in the mist on the right and a pale winter sun low in a white sky.
Is this an original?
No. It is a new print made from the Cleveland Museum of Art's photograph of the photogravure in its collection. We never sell originals or antiques.
Where does the image come from?
From the Cleveland Museum of Art, which releases its photograph of this work under Creative Commons Zero (CC0) as part of its Open Access program. It was published in 1895, in his book Marsh Leaves; Emerson died in 1936, so the work is in the public domain. Published before 1931, it is also in the public domain in the United States. The museum record (accession 2025.17) is linked on this page.
How is it made?
It is printed to order for you, in the finish you choose: a float frame canvas, a classic frame canvas, a stretched canvas, a rolled canvas or an acrylic panel. Both frames come in Black or Antique Gold. The size and finish picker shows which sizes each finish is made in.
Colors vary a little between screens and canvas. The previews are drawn, not photographed, and are a close match to the printed piece.
Every size, one wall
All 4 sizes of this print, side by side
To scale, framed, with a 5 ft 6 in figure for reference — so you can see the steps between sizes at a glance before you pick one above.
48×24 in122×61 cm
40×20 in102×51 cm
36×18 in91×46 cm
24×12 in61×30 cm
5′6″ · 168 cm
Left to right: 48×24 in · 40×20 in · 36×18 in · 24×12 in
Every size to scale on one wall, framed in Black, beside a 5 ft 6 in figure. Room photograph generated for scale; the figure is 5 ft 6 in.
Swipe sideways along the wall to see every size
From people who bought it
Reviews come only from verified buyers: we email a personal review link 21 days after delivery. We read every review before it goes up, never edit them, and publish critical ones too. We only hold back reviews that are abusive, defamatory, off-topic or advertising, and we tell the writer why. Review rules
